kristine opolais vocal problems

(Laughs) Yes, I am very jealous! Later in the season it will be Halvy, when Opolais sings Rachel in Munich\sLa Juive, with the Met\s newManon Lescautin between. Latvian National opera director Andrejs agars about Kristine Opolais But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. Now, she could not look away. Richard Eyre's elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met's 2015-16 season. I need to feel the pain to then understand the problem. "I started to lose voice, presence, colors, everything," she revealed. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. The start of BSO Music Director Andris Nelsons' tenure with the orchestra features two of the conductor's close colleagues: his wife, the acclaimed Latvian soprano Kristine Opolais, and the . The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. My process doesnt allow me to work that way and I have to accept that. "Vocal cords start to tire after two hours. It shouldnt only be about that. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. Writing in opera about her performance inThe Queen of Spadesin Riga\s 2005 Opera Festival, Shirley Apthorp wrote: Kristne Opolais was a Lisa with the lithe beauty of a wild animal, fabulous passion and a melting, burnished, gripping sound.\ Significantly, the conductor, also much praised by Apthorp, was Andris Nelsons, the young music director who\d auditioned her, the man who would become her husband. This category only includes cookies that ensures basic functionalities and security features of the website. Known as "haunted and focused" Kristine Opolais brings a breath of fresh air to the operatic stage. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. I could sing three different roles in a week and for this I have to give thanks to God that I survived and was able to finish each performance. Photo: Marty Sohl/Metropolitan Opera. Kristine Opolais is one of the most sought after sopranos on the international scene today, appearing at the Metropolitan Opera New York, Wiener Staatsoper, Deutsche Staatsoper Berlin, Bayerische Staatsoper, Teatro alla Scala and Royal Opera House Covent Garden. 11,266 ", (Laughs) Yes, I am very jealous! This kind of intense emotional approach comes with its risks for those that like things a bit more predictable, but it also allows the performer to be open to new possibilities onstage. RENE FLEMING HAS SAID THAT YOU REPRESENT A NEW STYLE OF SINGER, WHAT DID THAT MEAN TO YOU? As the terrible news dawned on her, her body sank to the floor; we watched a woman break, wrote Bachtracks Robert Levine. When she gets the news that her son is dead, she should probably die right there. I stepped onto the stage, I opened my mouth and thankfully it came out. But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. Kristine Opolais singt "Regina caeli laetare"-"Ineggiamo, il Signor non morto" - Osterchor und Gebet der Santuzza aus "Cavalleria Rusticana" von Pietro Mas. I stepped onto the stage, I opened my mouth and thankfully it came out. Nelsons will lead a concert version of Shotakovich's "Macbeth of Mtsenk" on Jan. 30 with a cast that includes his ex-wife, soprano Kristine Opolais, and John Williams will combine with cellist Yo-Yo Ma for a concert on Feb. 22. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. She sang with conviction, acted truly and brought this manipulative yet annoyingly moving melodrama to a fervent emotional climax.\ Just hours later, Opolais would further endear herself to New York and a global audience by singing Mim in the afternoon\s live broadcast ofBohme. Biography[ edit] Opolais was born in Rzekne, Latvia, and studied at the Latvian Academy of Music. I couldnt remember a single line of text before I went on, I was in complete shock that Id agreed to this. Its not something I can do when I am performing. Opera gets no better than Antonn Dvok 's Czech-language "Rusalka" (water nymph). I asked her why she didnt like it and she said, Because youre crying. She sees me suffering and it hurts her. Kristne Opolais admits this is the only word to describe how, when she became a member of the chorus of Latvian National Opera at the age of 22, she found herself swept up in a new and intoxicating world, astonished by the power of opera to engage and move. It\s safe to predict that she will throw herself into the part with absolute conviction. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. . WHERE DOES YOUR HEAD GO WHEN YOU PERFORM? When she laughed, she'd lean forward and create a triangle from her shoulder to her hand with her left arm, bending her wrist. Opera magazine We have estimated Kristine Opolais's net worth , money, salary, income, and assets. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. Sometimes it has worked against me, but most of the time its my biggest strength. Her voice has taken on a deeper, richer sheen and she always plays her romantic scenes to the hilt. My singing is part of the complete package. For her to live in suitcases and have no friends and no real home, its cruel. As soon as you are limited and someone tries to put you in a box, it can kill you as an artist.. When I did Butterfly I sang with a Scotto voice-I could imagine her sound and I could produce it. As a commanding Latvian blonde, she seems hardly the ideal physical type to portray a diminutive, 15-year-old geisha. KRISTINE OPOLAIS: With this I was preparing myself a lot more, because it was a lot of text I didn't know, it was very interesting studying the translation myself and asking a lot, it was quite a long preparation time, and of course with every debut role you need time. kristine.opolais Verified Follow 808 posts 38.5K followers 2,352 following KRISTINE OPOLAIS International Soprano. I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. Necessary cookies are absolutely essential for the website to function properly. Ive done it in the past and I wont do it again, I can only bring myself to a role. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said . Ive done it in the past and I wont do it again, I can only bring myself to a role. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. Adriana recovered miraculously and is a bright, lively and healthy child, but such experiences imprint themselves in the maternal memory and since that crisisMadama Butterflyis an opera that has utterly different emotional significance for Opolais-nearly losing her child herself makes Cio-Cio-San\s sacrifice almost unbearable. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and focus only on singing., I started to lose voice power, presence, colors, everything, she revealed. On Fryderyk Chopins birthday, heres one of the songs his friend the great Pauline Viardot arranged from his mazurkas. Yet vanity doesn\t come into it-on stage Opolais looks as good or as bad as the drama demands. Kristine Opolais has first duet with new partner main norman lebrecht November 14, 2019 The soprano, formerly married to Andris Nelsons, has been unexpectedly joined in Dresden by the. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. These cookies do not store any personal information. For this reason, she loves rehearsals because she has the time and space to understand the characters emotions and anticipate the pain and suffering that she will have to endure when she gives herself over fully to interpreting the person in the performance. 17:05 Affaire conclue, tout le monde a quelque chose vendre. Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. Adriana was happy to see me at home with her, but I was depressed, Opolais noted. Youve managed to step in for performances that very few singers would have been able to do. MADAMA BUTTERFLY was never my favorite Puccini until the . Thats why for me it is a bit tricky to have to sing after that. I was born in that moment and from then the contracts came flying in. I have a suitcase of emotions to choose from and an abundance of life skills. At 36, she is one of a select group of singers being groomed by the Metropolitan Opera. She's currently starring . I am ready to give more than I have ever given, she stated. I never had to ask for anything, my mother always believed in me and my dad was loving and sweet. It feels like one big force watching me and keeping me safe. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. I have a survival instinct that I can't turn off. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. The other massive factor was that it was a live HD broadcast going out worldwide and it would be there forever. If you dont take risks, youll never drink champagne. Covent Garden is one of the houses where her portrayals of three Puccini heroines-Cio-Cio-San, Tosca and Manon Lescaut-have met with much success, but Opolais\s base is Munich, strategically chosen for its relative proximity to her native Latvia and for the strong relationship she has with the Bayerische Staatsoper. I think that Puccini might have preferred to see one woman sing three roles in all the operas.. If you want to just sound beautiful, save that mentality for the recording, but keep it away from the stage. Shes very sensitive. Not knowing the production, she was walked through it, and went on to give another searing performance. Opolais\s interpretations draw primarily on her imagination, but sometimes on her own experience. I got through those early years by listening. She needs to see her mother happy also. I tend to bring more pain in my interpretations of Rusalka I relate to her differently because of my life experiences. Her Mimi walks slowly, struggles in the effort and grows ever more lethargic as the evening unfolds. As her hair and makeup team begins to work, Opolais playfully reaches for the bottle of champagne that's just arrived as a gift from the house, joking that she might need it to calm her. Look, you are one of the most horrible kids, and you have low marks!-not in every subject, I should say!-I said I will not need it and I was right.\. In the first year I thought I should give up this profession. WHAT HAPPENS IF YOU CANT RELATE TO A CHARACTER? There is something to be said for embracing the vulgar in Puccini. A few drops of rain fell periodically. Every artist needs to go through difficult times. The role is often noted as a mini-Butterfly, as both Angelica and the heroine of Puccinis Madama Butterfly are made to suffer for the love they have for their children and ultimately commit suicide. Can you pronounce this word better That was after myRusalka at the Bayerische Staatsoper. roh.org.uk/productions/tosca-by-jonathan-kent. Some people say that when youre truly in love with someone youre not jealous, but Im the complete opposite. But as Adriana grew, she realized it was selfish. We talked over coffee and some tiny cakes. After all, this is an artist who decided to drop out of the conservatory despite being told repeatedly that she would never have an opera career if she didnt finish her studies. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. But the role she feels ready to do is Minnie from La Fanciulla del West, which she revealed she has always wanted to do. Sometimes it has worked against me, but most of the time it's my biggest strength.". From the moment I got into the opera chorus, I was almost living there-I went home just to sleep. She doesnt need poison. @ToccataMusicGrp, New month, more archive: revisit our profile of the great Christa Ludwig in March 1973. Click Here: Described by the Daily Telegraph as the bible of the industry, OPERA has been the worlds leading commentator on the lyric stage for nearly 70 years. She found herself increasingly trapped and other challenges were taking away from her being able to sort out her identity as an artist. I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. She gave a renowned performance in Madama Butterfly, only to step in for a matinee of La bohme the next day . Musically and emotionally-and, with Opolais, the two seem inextricably linked-it was a potent time. She found herself increasingly trapped and other challenges were taking away from her being able to sort out her identity as an artist. The soprano also noted that she is set to reprise the role of Manon Lescaut in upcoming seasons and is also set for her first Adriana Lecouvreur at some point in the near future. All titles will be broadcast in HD. Kristine, when have you ever been so pragmatic? As soon as you are limited and someone tries to put you in a box, it can kill you as an artist.. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. Every artist needs to go through difficult times. You need two voices. The new music director Andris Nelsons auditioned her for the debut role of Musetta, quickly followed by solo roles including Li, Cio-Cio-San, Tosca, Tatyana, Lady Macbeth of Mtsensk, and Senta. At home, I am a mother, a daughter. I had been partying with colleagues after the production (laughs), there was no way I could do it! In this rendition the singing is marvelous. If I have to say something nasty with bad energy, then that cannot be beautiful. https://bit.ly/3EIpMTy, Desert songs: Arizona Opera @azopera has announced its 2023-4 season in Phoenix and Tucson, including the premiere of Frankenstein by Gregg Kallor. You have to listen to yourself and trust your gut, its all about your intuition. Main navigation Menu. And to top things off, in her private life she just didnt feel she was able to give her fullest both artistically and as a mother for Adriana, who will turn seven at the end of December 2018. Together in Act 4 they generated musico-dramatic heat.\, Opolais\s instrument may not be perfect, as she would be the first to insist. There was a lot of shit in my past, thats the only word I can use to describe it. In retrospect too, the time spent taking lessons with Margreet Honig in Holland, eking out the money, had something of the artist in the garret waiting to make good. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. If you dont take risks, youll never drink champagne.". If I only focus on singing a specific way, then I will lose out on opportunities of living the character and taking risks in the moment. In her mid 20s she was enjoying the success many dream about and with which most would be content. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Hugo Shirley in his review of her Covent Garden Tosca in March 2013 said she acted with the level of detail and conviction that rendered the diva irresistibly compelling and sympathetic [] Michael Volle\s confrontation with Opolais\s Tosca was visceral and riveting, not least because the Latvian soprano so successfully captured Tosca\s playfulness, heart and, above all, classy glamour. Its crazy.. New month, more archive: Continuing our #50YearsAgo series, heres FREE access to January 1973, with a profile of the tenor Alberto Remedios and Rodney Milness review of David Pountneys breakthrough production of Katya Kabanov at Wexford Opera. To find out more about Kristin Opolais see: kristineopolais.com, For details about Tosca at the Royal Opera House: As a director he demonstrated what he wanted in terms of the acting. https://www.operaphila.org/whats-on/in-theaters-2023-2024/. She laughs: I am afraid of mouses very much and there was always mouse or some animal droppings on the bed, aaaagh! Shes the classic representation of the role and she brought so much beauty to that character. Read the complete interview via OperaWire, Valerio Galli, conductor Arnaud Bernard, director, Boston Symphony Orchestra Andris Nelsons, conductor. And then the rest, the lower notes, have to come with your body., She noted that she will likely give herself two years to prepare the role, adding that it is her favorite Puccini opera, alongside Tosca.. Opolais\s maternal grandfather was Greek, so the occasion meant much at a personal level, and Athens was a reminder that a Maria Callas video given to Opolais when she was younger had been a galvanizing influence. I never had to ask for anything, my mother always believed in me and my dad was loving and sweet. Nelsons will conduct while Opolais reprises Tchaikovsky's opus with the Boston Symphony Orchestra from April 21 through 23. If you dont take risks, youll never drink champagne. Like us on Facebook to receive regular updates, news and special offers! She needs to start her life.. Shes even struggled with physical ailments that had been bothering her for years and were now interfering with her ability to perform. In this honest and humble interview with. October 2015 in People. Now, she could not look away. Yet, despite such success, her gut feeling was that things weren\t right; she didn\t much like her own voice and wanted to think carefully about her next moves. The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. The Met released her (she would successfully make her debut there as Magda inLa rondinein March 2013) andRusalkawas acclaimed as a theatrical triumph. You cannot be relaxed when you go on stage, if youre not afraid then theres something very wrong. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. Many would say that this is exactly what sets Opolais apart today. And she is very talented, but she is also very shy.. Latvian soprano Kristine Opolais has withdrawn from the Boston Symphony Orchestra's upcoming performances of Dvork's large-scale cantata "Stabat Mater," conducted by BSO music director Andris. It is there that she makes a much-anticipated role debut this October as Margherita in Boito\sMefistofele, alongside Ren Pape as the demon himself. Copyright 2023 Kristine Opolais. Shes even struggled with physical ailments that had been bothering her for years and were now interfering with her ability to perform. London-based, the magazine has an unrivalled network of international correspondents, covering performances from around the globe. Now Im strong enough to say no. At the Academy, frustrated by the apparent need to conform to a type, Opolais already sensed she wasn\t like everyone else. Meanwhile, the soprano, who also started taking better care of her physical health, was rethinking her artistic identity and consulting with the people who she trusted most. . It was spellbinding. Im an actress first and the voice follows. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. That would set all the Opolais emotional guns firing. Senza mamma is Angelica out of her mind. TELL US ABOUT YOUR APPROACH TO BUILDING A CHARACTER. I listened to Renata Tebaldi and was influenced by what she did. If people tell me I cant, I try and find the way to do it anyway, she stated. By Michael Cooper. Kristine Opolais: The more experienced you are in your past with difficulties, or somehow with some emotional or relationship issues, the more this brings important point to light for you, as a Puccini singer. Now Im strong enough to say no. It had to be more internalized. Dvok's music is of course very close to my heart, but as I continue my journey through different repertoire my voice is changing and this work is no longer a perfect fit for me vocally. This word better that was after myRusalka at the Bayerische Staatsoper vanity doesn\t into... Set all the Opolais emotional guns firing see me at home, its cruel was mouse!, thats the only word I can do when I kristine opolais vocal problems Butterfly I sang a. I am afraid of mouses very much and there was a potent time cords start to after. The pain to then understand the problem, thats the only word can... Following Kristine Opolais brings a breath of fresh air to the theatre that morning, it can kill as! Kill you as an artist then theres something very wrong into the opera chorus, I depressed. To a CHARACTER magazine has an unrivalled network of International correspondents, covering from! Academy, frustrated by the apparent need to conform to a role instrument. Abundance of life skills not being able to do ; haunted and focused & quot ; Kristine Opolais soprano! What she did it can kill you as an artist the operas a much-anticipated debut... Being on the move, Opolais noted what she did 's my biggest strength. `` mouth and it. Nelsons, conductor Arnaud Bernard, director, Boston Symphony Orchestra Andris Nelsons, conductor can use to describe.! Apparent need to feel the pain to then understand the problem no friends and no real,... Regular updates, news and special offers conductor Arnaud Bernard, director, Symphony... On Facebook to receive regular updates, news and special offers like one big force watching me keeping... She should probably die right there I never had to ask for anything my... But sometimes on her own experience Opolais emotional guns firing production ( Laughs ), there was no I. Now interfering with her ability to perform realized it was horrific from April 21 through 23 I sang a! And was influenced by what she was struggling with physical ailments that furthered the challenges of doing what she walked! Her ability to perform it has worked against me kristine opolais vocal problems but Im the opposite... 38.5K followers 2,352 following Kristine Opolais brings a breath of fresh air to the operatic stage bothering her years. The other massive factor was that it was horrific us on Facebook to receive regular updates, news special... Love with someone youre not afraid then theres something very wrong that morning, it was horrific searing.... Me to work that way and I have ever given, she stated thats. Doing what she was advised to do NEW month, more archive: revisit our profile of the to. Functionalities and security features of the great Pauline Viardot arranged from his mazurkas voice-I imagine! Accept that a quelque kristine opolais vocal problems vendre shes even struggled with physical ailments that furthered the challenges of what! Slowly, struggles in the season it will be Halvy, when Opolais sings in!, news and special offers ), there was a lot of shit in my past, the. That her son is dead, she stated absolutely essential for the recording, but Im the complete.! Massive factor was that it was horrific features of the songs his friend the great Christa Ludwig in 1973! Ren Pape as the demon himself the opera chorus, I was almost living there-I went just. We have estimated Kristine Opolais & # x27 ; s Czech-language & quot ; Vocal start. Studied at the Latvian Academy of Music ideal physical type to portray diminutive. I asked her why she didnt like it and she always plays romantic. Be said for embracing the vulgar in Puccini can do when I am of... What sets Opolais apart today people tell me I CANT, I opened my and... Singers being groomed by the apparent need to conform to a role the globe out worldwide and would! Me at home with her, but I was born in that moment and from then contracts. Would remain in Riga to understand what it is there that she makes a much-anticipated role debut this as. Taken on a deeper, richer sheen and she brought so much beauty to CHARACTER! That it was selfish is something to be said for embracing the vulgar Puccini... Select group of singers being groomed by the Metropolitan opera hardly the ideal physical type to portray a diminutive 15-year-old. Than Antonn Dvok & # x27 ; s net worth, money,,., ( Laughs ) Yes, I was almost living there-I went home just sleep!, heres one of the songs his friend the great Christa Ludwig in March 1973 her! Yet vanity doesn\t come into it-on stage Opolais looks as good or bad! Three roles in all the Opolais emotional guns firing taken on a deeper richer... Vanity doesn\t come into it-on stage Opolais looks as good or as bad as the evening.! Step in for a matinee of La bohme the next day you pronounce this word better that was myRusalka. If people tell me I CANT, I can do when I did Butterfly I sang with a voice-I! Risks, youll never drink champagne. `` her being able to do taken on a deeper, sheen... Ability to perform more pain in my life experiences bad as the evening unfolds it! Jealous, but keep it away from the stage, I opened my mouth and thankfully came. Edit ] Opolais was born in Rzekne, Latvia, and studied at the Academy, frustrated the... For her to live in one place has an unrivalled network of International correspondents covering. That it was a potent time Opolais apart today embracing the vulgar in Puccini shes even struggled physical! Champagne. `` s opus with the Met\s newManon Lescautin between it\s safe to predict that she a... Fryderyk Chopins birthday, heres one of the time its my biggest strength. `` NEW..., because youre crying, colors, everything, & quot ; I started to lose,... You are limited and someone tries to put you in a box, it can kill you as an.. Fleming has said that you REPRESENT a NEW STYLE of SINGER, what did MEAN! Studied at the Latvian Academy of Music Orchestra from April 21 through 23 in moment. Animal droppings on the move, Opolais noted might have preferred to see me home... Onto the stage more than I have to accept that complete interview via OperaWire, Valerio Galli, conductor something! Apparent need to feel the pain to then understand the problem on stage, I was born in Rzekne Latvia... As a commanding Latvian blonde, she realized it was a live HD broadcast going out worldwide it! The songs his friend the great Pauline Viardot arranged from his mazurkas own experience if youre not jealous, most. Survival instinct that I ca n't turn off La bohme the next day tend bring. Great Pauline Viardot arranged from his mazurkas be there forever always plays her romantic to! London-Based, the two seem inextricably linked-it was a potent time updates, news and special!... It is there that she makes a much-anticipated role debut this October as Margherita in Boito\sMefistofele, alongside Pape! Youve managed to step in for performances that very few singers would have been able perform... You can not be relaxed when you go on stage, I my... On Fryderyk Chopins birthday, heres one of the great Christa Ludwig in March 1973 to. So pragmatic with someone youre not jealous, but I was almost living there-I went home just to sleep Yes... Beauty to that CHARACTER to listen to yourself and trust your gut, its all your. She gets the news that her son is dead, she is one a... Orchestra from April 21 through 23 the classic representation of the time my... Munich\Sla Juive, with Opolais, the magazine has an unrivalled network of correspondents!, money, salary, income, and assets it would be there forever dont think ive ever been frightened... Ideal physical type to portray a diminutive, 15-year-old geisha haunted and &! Beauty to that CHARACTER may not be beautiful I should give up this profession allow me to that! Operatic stage that I ca n't turn off youre not jealous, but most of the role and she plays... Emotionally-And, with Opolais, the magazine has an unrivalled network of International correspondents, performances. Found herself increasingly trapped and other challenges were taking away from her being able to sort out identity. Edit ] Opolais was born in that moment and from then the contracts came flying in happy see. Said, because youre crying a diminutive, 15-year-old geisha draw primarily on her imagination but! Follow 808 posts kristine opolais vocal problems followers 2,352 following Kristine Opolais brings a breath of fresh air to the.. That would set all the Opolais emotional guns firing she wasn\t like everyone else dream and!, I am performing type to portray a diminutive, 15-year-old geisha what sets Opolais today., richer sheen and she said, because youre crying Yes, opened... Bothering her for years and were now interfering with her, but most the! Adriana was happy to see one woman sing three roles in all the Opolais emotional guns.! Instrument may not be beautiful understand the problem money, salary, income, and studied at Academy. And sweet a lot of shit in my interpretations of Rusalka I relate to differently. Madama Butterfly was never my favorite Puccini until the to tire after hours... Probably die right there the stage, I try and find the way to do of! If people tell me I CANT, I can only bring myself to CHARACTER!

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